Sgt. Pepper’s Lonely Hearts Club Band (Legacy)

UK 6th Pressing (1976)

PCS 7027

Discogs | TheBeatlesCollection

Matrix:
Side A: YEX 637-3  HTM
Side B: YEX 638-3  HTM
Unbanded

The -3/-3 cut was released 1976 on “EMI Records” double-box Parlophone labels. According to TBC several various cuts were used for this pressing, so it helps to have the matrices checked when purchasing online. Interesting thing about this version from the late 70s with HTM signature: it’s slightly slower than -1/-1, both sides run slightly longer.

Acoustically, this solid-state cut is more detailed than the -1/-1 tube cut, and the instrument separation is fabulous. The bass is a tiny bit punchier; the trebles are more pronounced. “Lucy in the Sky with Diamonds” is a good example for detail separation, vocal presence and detailed bass. “Fixing a Hole” has some splendid cymbals and hi-hats and great vocal details as well. Paul’s vocals on “She’s Leaving Home” sound considerably clearer than on the -1/-1. “Being for the Benefit of Mr. Kite” is a joy, boasting all these effects, but not being murky or buried in the slightest. Just great stuff.

Side B is even better. The -3 version seems to undo some of the choices made on the -2 cut of Side B, and while keeping the positive aspects of it like better details, finer separation and stronger basses and trebles, it does not have such deviations in terms of buried/unburied vocals. The vocals on “Good Morning” have a good presence as well (though being slightly sibilant, like on the -2 cut). The “Reprise” lacks a bit in the rockier substance of -2, it feels rather like a more detailed version of -1. As for “A Day In The Life”, it sounds great, just like it should be. Great instrument separation and vocal presence on Parts 1 and 3. Paul’s voice on Part 2 sounds less muffled and has a better presence than on the -2 cut, whereas the vocalizing before Part 3 just sends shivers down your spine, like it should.

Note: the final gibberish happens as is intended, in the locked groove.

Overall: The -3/-3 version reveals better details than -1/-1, while being a tiny bit stronger on both bass and trebles, but without underwhelming the vocals. Just a great pressing!